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October 2, 2012 · All locations, podcasts · Comments Off

A Conversation with Author Alan Dean Foster

To celebrate the opening of the new Center for Science and the Imagination at Arizona State University and the ASU Libraries’ exhibit End of the Golden Age: Science Fiction Before and After the Atomic Bomb , Fred McIlvain and Assistant Professor Ed Finn, director of the Center, interview author Alan Dean Foster about his career in Science Fiction, film novelizations, and his world travels.

 
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Episode Transcript (rtf)

Alan and Ed talk about meeting John W. Campbell, how science fiction authors actually predicted the coming of the atomic bomb, and sci-fi as social commentary. Alan then opens up about his experiences working in Hollywood, meeting famous directors and turning movie scripts such Star Wars, Alien, Star Trek, and Transformers into novels. Did you know Alan talked about Warner Brothers Cartoons with singer Alice Cooper while waiting to see Star Wars…before anyone else had seen it.

Other topics include Alan’s current projects, the Alan Dean Foster Papers at the ASU Libraries, Alan’s scrapbooks, radio scripts, and the preservation of media.

Recorded September 12, 2012

Host: Fred McIlvain
Guests: Edward Finn, Alan Dean Foster

September 7, 2012 · All locations, podcasts · Comments Off

The new Center for Science and the Imagination is launching its exhibit , End of the Golden Age: Science Fiction Before and After the Atomic Bomb, with a grand opening on September 12th at 1 PM at the Noble Science and Engineering Library.  This event will feature an introduction by Author Alan Dean Foster. The exhibit presents stories published during and after World War II, and examines the growing recognition within the optimistic ranks of Golden Age writers that some of our greatest scientific mysteries were not technological but cultural.

Center director ASU Assistant Professor Edward Finn and Research and Operations Coordinator Joey Eschrich join ASU Libraries’ Fred McIlvain and explore the concepts the Golden Age of Science Fiction and the fascinating exhibit. They also talk about how the Center for Science and the Imagination brings writers, artists and other creative thinkers into collaboration with scientists, engineers and technologists and serves as an exciting place to reignite humanity’s grand ambitions for innovation and discovery.

 
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About the Golden Age of Science Fiction

During the late 1930s and early 1940s, the genre we now recognize as science fiction was born in the pages of a handful of pulp magazines. One magazine in particular, Astounding Science Fiction, and its iconoclastic editor, John W. Campbell, pushed science fiction beyond its reliance on the familiar tropes of romance and adventure pulps to define a distinctive new kind of narrative.

The crucible of World War II drove the intellectual architecture of new labs at MIT, Stanford and other institutions. The breathtaking pace of discovery led to the invention or refinement of a host of new technologies from radar to the atomic bomb. In short, it was an era when the human imagination was stretched in both terrifying and wonderful ways. This was the era of Science Fiction’s Golden Age, spanning the decade of modern humanity’s transition from technological innocence to experience.

The Golden Age of Science Fiction
Noble Science and Engineering library at ASU Tempe Campus
September 12, through October 2012

Episode 119
Running Time: 19:32

Guests:
Ed Finn is the director of the Center for Science and the Imagination at Arizona State University, as well as an assistant professor with a joint appointment between the School of Arts, Media + Engineering and the Department of English.

Joey Eschrich is Coordinator Senior, Research and Operations for the Center for Science and the Imagination.

(Episode Transcript)

July 10, 2012 · All locations, Hidden Treasures · Comments Off

In this episode Daphne Gill (Noble Science and Engineering Library Manager) meets with Child Drama Collection Curator Katherine Krzys and takes a peek into the collection of stage costumes from designer Irene Corey.


Irene literally changed the face of costume and makeup design. For over 50 years she designed costumes, sets and makeup for shows as varied as theatre classics to theme park characters. We would not have seen Lion King or Cats on Broadway without her initial animal makeup and costume work. Irene first became nationally known for the “Book of Job” in the 50′s. She also designed the costumes for the television show Barney and Friends and came up with his trademark purple color.

Join us and see the costumes and design materials representing from Irene’s entire theatrical career Kathy collected.

The Irene Corey Collection is part of the Child Drama Collection, the largest repository in the world documenting the international history of children’s theatre back to the sixteenth century.

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Get guided help with our library guide or schedule an appointment with Kathy.

Discover what you’ve been missing with ASU Libraries Hidden Treasures!

Each episode of Hidden Treasures explores the artifacts, images, collections and unique gems of the ASU Libraries you didn’t even realize were available.

Host: Daphne Gill
Guest: Katherine Krzys
Produced and Directed by Matthew Harp and Jennifer Duvernay

April 13, 2012 · All locations, podcasts · Comments Off

The Library Channel is pleased to present the ninth installment of The Simon Ortiz and Labriola Center Lecture on Indigenous Land, Culture, and Community with Redefining Indigenous Perspectives Through Art and Dialogue.  Sculptor Bob Haozous sets the stage with a discussion of his family, and then shares his motivations, descriptions, and circumstances surrounding the creation of many of his most renowned pieces. Mr. Haozous’ talk is wonderfully illustrated with power point slides of his work.

View more videos from the series on YouTube.

Download Presentation Audio (MP3)
Lecture Video available for download at the Internet Archive.

Bob Haozous is one of the most important Native sculptors of the Native American Fine Art Movement. His innovation and experimentation with materials push the boundaries of “Indian” art – the boundaries that his father, Allan Houser, helped to define. He is best known for his monumental cut steel pieces which often deal with poignant topical issues. He approaches these issues with a bit of a bite and a good dose of humor. His injection of humor allows the serious issues to be more palatable and to have a universal presence.

Visit Bob’s work at: bobhaozous.com

ASU Sponsors: American Indian Policy Institute | American Indian Studies Program | Department of English | Faculty of History in the School of Historical, Philosophical, and Religious Studies | Indian Legal Program in the Sandra Day O’Connor College of LawLabriola National American Indian Data CenterWomen and Gender Studies in the School of Social Transformation

Recorded on March 15, 2012 at the Heard Museum in Phoenix, Arizona.

February 21, 2012 · All locations, Hidden Treasures, podcasts · Comments Off

Welcome to our new video series, ASU Libraries Hidden Treasures. Each episode of Hidden Treasures will explore the artifacts, images, collections and unique gems of the ASU Libraries you didn’t even realize were available.

This inaugural episode features anthropology librarian Juliann Couture and Joyce Martin, curator of the Labriola National American Indian Data Center, looking at the Center’s display of unique Hopi Kachina dolls. Four of the kachinas (Navan Kachina; Talavi Kachina; Flute Kachina; and Ahöla Kachina) were created by artist, carver, and former ASU employee Tony Dukepoo as a gift to the libraries in 1979.  The kachina dolls are on display in the Labriola Center located on the 2nd floor of the Hayden Library on ASU’s Tempe campus.

We also get a glance at the Center and all the resources available. The Labriola Center is the most comprehensive center for Indigenous research at the university. You can even search the American Indian Index to see the Labriola Center holdings before you come in. So grab a drink,  put on your headphones and click play.

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Get guided help researching Kachinas and other Native American topics

About Tony Dukepoo
Born in Walpi on First Mesa, Tony Dukepoo left to attend Phoenix Indian School when he was 13 years old. While there he learned painting and carpentry. He also participated in the band and performed for President Kennedy’s inauguration. Tony joined the staff at ASU in 1962 as a painter and was a mason of the 32nd Degree. In keeping with Hopi tradition he was a member of the Flute Clan and participated in Hopi ceremonies and dances. Over the years he donated time and knowledge in an effort to preserve Hopi heritage. In 1978, he was a consultant on an exhibit of Hopi musicial instruments at the Smithsonian Institution. He retired from ASU in 1979.

Episode: Labriola National American Indian Data Center Kachina Dolls
Host: Juliann Couture
Guest: Joyce Martin
Running Time: 3:32

January 31, 2012 · All locations, podcasts, Tempe campus · Comments Off

Event promo ImageOn February 14, 2012 Arizona celebrates 100 years of statehood. ASU School of Theatre and Film
presents the play Untold Stories/Unsung Heroes as part of the Arizona Centennial Project New  Works Series  beginning February 10 at 7:30 in the Lyceum Theatre.

Director Pamela Sterling, professor at the School of Theatre and Film, joins Host Fred McIlvain to talk about the play and how it was put together. Joining them is Curatorial Museum Specialist Karrie Porter Brace to talk about the tie-in exhibit, Tell Your Story, in the Hayden Library Rotunda on the ASU Tempe campus. Karrie also talks about the archival images used in the play.

 
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Untold Stories/Unsung Heroes tells the most poetic, comedic and iconic stories that were unearthed over the past year by a dedicated team of ASU theatre students the stories were culled from thousands of archival sources as well as interviews with contemporary Arizonans including a group of centenarians from the Pioneer Village in Prescott and the students’ friends, neighbors and relatives.

The stories were woven into the new play, which is part of the Arizona Centennial Project New  Works Series and is an official selection of the Arizona Centennial Commemoration Project.  People who will be pictured in Untold/Unsung include: Lozen, Apache warrior; Soto Vasquez, founder of Teatro Carmen in Tucson; Elizabeth Hudson Smith an African American woman who independently owned and operated a hotel in Wickenburg; George W. Parsons, lawyer, banker, and citizen of Tombstone who had a bird’s eye view of the gunfight at the OK Corral; and Borislav Bogdanovich, artist and relative of film director Peter Bogdonavich.

Students have established a a Facebook Page where people can learn more about the state’s colorful figures, and a video clip series, Arizona 100 Stories, where students recount the stories they have uncovered during their research. Pre-show activities include Living Statues that come to life to import the stories of Arizonans.

Untold Stories/Unsung Heroes
Where: Lyceum Theatre, 901. S. Forest Mall, ASU Tempe campus.
When: Feb. 10- 11, 16-18 at 7:30 p.m.; Feb 12 and19 at 2 p.m.
Cost: $8–$16; Seniors, ASU faculty, staff and students receive special rates. Special discounts for groups available.
Public Contact: Herberger Institute box office, 480.965.6447
School of Theatre and Film. 480.965.5337
Info and Online Tickets

Tell Your Story Exhibit
Where: Hayden Library Rotunda (Lower Concourse)
When: February 6 – May 2012

Host: Fred McIlvain
Guests:
Pamela Sterling and Karrie Porter Brace
Episode 117
Running Time:
16:53

November 15, 2011 · All locations, podcasts · Comments Off

The Library Channel is pleased to present the eighth installment of The Simon Ortiz and Labriola Center Lecture on Indigenous Land, Culture, and Community with Tribal Land Claims: A Generation of Federal Indian Law on the Edge.  Attorney Arlinda Locklear demonstrates how attorneys for tribes have used the doctrine of discovery or federal common law to assert claims in tribal land claim cases. She lays out the history of the Oneida land claim case against the state of New York beginning in 1784 when the state began an aggressive campaign to acquire Oneida territory leading to the present.

Download Presentation Audio (MP3)
Lecture Video available for download at the Internet Archive.

Arlinda Locklear (Lumbee) has a particularly distinguished career in federal Indian law. During her thirty five years’ experience in the field, Locklear has represented tribes throughout the U.S. in federal and state courts on treaty claims to water and land, taxation disputes with states and local authorities, reservation boundary issues, and federal recognition of tribes. In particular, she is a nationally recognized expert in federal recognition of tribes and Indian land claims. Locklear began her career as an attorney at the Native American Rights Fund in Boulder, CO, and later transferred to the Washington DC office. As directing attorney for seven years in the Washington, DC office, Locklear supervised significant litigation of Indian issues as well as the legislative work of the office. Locklear was a member of the board of Advisors for the Encyclopedia of Native Americans in the 20th Century and is a member of the Board of Trustees for the University of North Carolina, Pembroke. Locklear was awarded the Outstanding Woman of Color Award, given by the National Institute of Women of Color in 1987; the Julian T. Pierce Award, given by Pembroke State University in 1994; the 1995 Carpathian Award for Speaking Out, given by North Carolina Equity; the Parks Award for Community Service, given by North Carolina State University in 2003; the 2008 Kate Stoneman Award for outstanding achievement in the legal profession, given by Albany Law School; and the 2009 Distinguished Alumna Award, from the College of Charleston. Locklear earned her law degree from Duke University School of Law and is a member of the Bars of Maryland, North Carolina, and the District of Columbia. She also holds honorary doctorates from State University of New York, Oneonta, and North Carolina State University.

ASU Sponsors: American Indian Policy Institute | American Indian Studies Program | Department of English | Faculty of History in the School of Historical, Philosophical, and Religious Studies | Indian Legal Program in the Sandra Day O’Connor College of LawLabriola National American Indian Data CenterWomen and Gender Studies in the School of Social Transformation

Recorded on October 6, 2011 at the Heard Museum in Phoenix, Arizona.

View more videos from the series on YouTube.

May 16, 2011 · All locations, podcasts · 1 comment

The Library Channel is pleased to present the seventh installment of The Simon Ortiz and Labriola Center Lecture on Indigenous Land, Culture, and Community. Leroy Little Bear, Head of the SEED Graduate Institute, former Director of the American Indian Program at Harvard University and Professor Emeritus of Native Studies at the University of Lethbridge delivers his lecture Native Science and Western Science: Possibilities for a Powerful Collaboration.

Professor Little Bear believes now is the time for a collaboration between “Western Science” and “Indigenous Knowledge.” In the lecture he discusses the tenants or foundation of Indigenous thought and compares them to the Western paradigm.  It is time to tap Indigenous knowledge as native languages can explain things that are paradoxes in English – such as “dynamics without motion” where Indigenous language explains nature without depending on the other language of math. In another example, Professor Little Bear speaks of how the collaboration of Indigenous thought and string theory could complete the Grand Unified Theory of Physics but it will never happen using the standard model.

Delving even further he discusses the holistic, Native paradigm where everything is in flux (moving, changing) existing in energy waves.  The energy waves are referred to as spirit. Everything is animate – so everything has spirit and is related.  In that flux there are regular patterns that humans seek out to renew and sustain themselves.

The lecture series is sponsored by the Heard Museum and Arizona State University’s American Indian Policy Institute; American Indian Studies Program; Department of English; Faculty of History in the School of Historical, Philosophical, and Religious Studies; Indian Legal Program in the Sandra Day O’Connor College of Law; Labriola National American Indian Data Center and the ASU Libraries; and Women and Gender Studies in the School of Social Transformation.

Download Presentation Audio (MP3 Audio)

Lecture Video available for download at the Internet Archive.

April 18, 2011 · All locations, Library Minute · Comments Off

We at the ASU Libraries want to keep you up-to-date on all our new services and resources, but communications go both ways. We want to know what YOU want from your library. Take a library minute and let Anali show you all the ways you can connect with us.


Download the iPod ready Library Minute (MP4 video)

Visit, connect, and make suggestions and comments in person with your subject librarians, at our location service desks, or at any of our online portals:

We are never far way. Keep us from guessing and tell us what you want from the ASU Libraries.

And be sure to stay tuned for a special invite at the end of the video.

See all the Library Minutes on YouTube!

The Library Minute is hosted by Anali Perry

April 4, 2011 · All locations, podcasts · Comments Off

Curator Jacqueline Chao with featured artists Angela Cazel Jahn and Stephen Marc discuss the Spring 2011 art exhibit Origins at the Institute for Humanities Research running through April 29, 2011 at the ASU Tempe campus.

 
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Angela Cazel Jahn’s piece, “Our Little House of Once Was Knowledge” is featured in the lobby of Hayden Library on the ASU Tempe campus. Her exhibit is a small house structure containing boxes full of bits of what people think are knowledge resting on a foundation of books and other technological artifacts. The exhibit is an interactive experience where visitors add their own concepts of knowledge. “Knowledge is not just what your brain knows.” – Angela Cazel Jahn.

Stephen Marc’s pieces are located in the Institute for Humanities Research on the ASU Tempe campus. The four pieces are digital montages (photographs and documents) of Black Americana up to 1935. Marc describes his work as “an interpretative relocation of, and commentary on the limited representations and accounts of the black experience, into the early years of the 20th Century, that were usually defined from outside the community.” The works include photographs, old newspapers, illustrations, civil war envelopes, postcards, tradecards and narrative plays.

Other Artists include: Ron Broglio, Chris Hables Gray, Nicole Herden, Dodd Holsapple, Mary Hood, Mary Lyverse, Laurie Papa Minnick, Benjamin Phillips, Gwyneth Scally, and Kelsey Vance.

More information:

(MP3 and other formats also available)

Host: Fred McIlvain
Guests: Jacqueline Chao, Angelea Cazel, Stephen Marc

Episode: 113
Running Time: 9:22